From the archive
Kele is a tonal language with two sharply distinct tones. Each syllable is either low or high. The drum language is spoken by a pair of drums with the same two tones. Each Kele word is spoken by the drums as a sequence of low and high beats. In passing from human Kele to drum language, all the information contained in vowels and consonants is lost. In a European language, the consonants and vowels contain all the information, and if this information were dropped there would be nothing left. But in a tonal language like Kele, some information is carried in the tones and survives the transition from human speaker to drums. The fraction of information that survives in a drum word is small, and the words spoken by the drums are correspondingly ambiguous. A single sequence of tones may have hundreds of meanings depending on the missing vowels and consonants. The drum language must resolve the ambiguity of the individual words by adding more words. When enough redundant words are added, the meaning of the message becomes unique.
In 1954 a visitor from the United States came to Carrington’s mission school. Carrington was taking a walk in the forest and his wife wished to call him home for lunch. She sent him a message in drum language and explained it to the visitor. To be intelligible to Carrington, the message needed to be expressed with redundant and repeated phrases: “White man spirit in forest come come to house of shingles high up above of white man spirit in forest. Woman with yam awaits. Come come.”