For “Goodbye to Language 3D,” opening on Wednesday, [Godard] encouraged his cinematographer, Fabrice Aragno, to build customized camera rigs (much as, a half-century ago, he asked Raoul Coutard to use still-photography stock to shoot at night for “Breathless”). Mr. Aragno said in an interview that Mr. Godard had watched “Avatar” and “Piranha 3D.” In Paris, the two saw a live 3-D theatrical broadcast of the 2010 World Cup, which piqued the director’s interest: “He said, ‘It’s incredible because we see everything like puppets,’ ” Mr. Aragno recalled.